Cross-reference chart of the two editions of
Piero Weiss & Richard Taruskin,
Music in the Western World: A History in Documents
|
Title |
Second Edition |
First Edition |
|
|
|
|
|
The Cult of the Natural |
No. 74, pp. 217–219 |
No. 73, pp. 255–257 |
|
Gluck's Operatic Manifesto |
No. 83, pp. 254–255 |
No. 82, pp. 301–302 |
|
Haydn's Duties in the
Service of Prince Esterházy |
No. 82, pp. 252–254 |
No. 81, pp. 298–300 |
|
Sonata Form and the
Symphony Described by a Contemporary of Haydn |
No. 90, pp. 269–271 |
No. 88, pp. 316–319 |
|
Haydn's Reception in London |
No. 89, pp. 266–269 |
No. 87, pp. 313–316 |
|
The Young Mozart as
Scientific Curiosity |
No. 87, pp. 260–263 |
No. 85, pp. 306–310 |
|
Vienna, 1800 |
No. 92, pp. 273–276 |
No. 90, pp. 321–325 |
|
Beethoven's Heiligenstadt
Testament |
No. 93, pp. 277–279 |
No. 91, pp. 326–328 |
|
The First Reactions to
Beethoven's "Eroica" Symphony |
No. 94, pp. 279–280 |
No. 92, pp. 328–329 |
|
Schubert Remembered by a
Friend |
No. 99, pp. 287–289 |
No. 97, pp. 338–340 |
|
From the Writings of
Schumann |
No. 105, pp. 303–308 |
No. 103, pp. 357–363 |
|
Liszt, the All-Conquering
Pianist |
No. 106, pp. 308–310 |
No. 104, pp. 363–365 |
|
Glimpses of Chopin
Composing, Playing the Piano |
No. 108, pp. 313–315 |
No. 106, pp. 369–371 |
|
From the Writings of
Berlioz |
No. 103, pp. 296–300 |
No. 101, pp. 348–353 |
|
The Program of the Symphonie
Fantastique |
No. 104, pp. 300–303 |
No. 102, pp. 353–357 |
|
From the Writings of Wagner |
No. 111, pp. 319–321 |
No. 108, pp. 374–377 |
|
The "New Russian
School" |
No. 116, pp. 333–336 |
No. 113, pp. 390–394 |
|
The "Music of the
Future" Controversy |
No. 113, pp. 324–329 |
No. 110, pp. 380–385 |
|
Debussy and Musical
Impressionism |
No. 125, pp. 355–358 |
No. 122, pp. 417–420 |
|
Arnold Schoenberg on
Composition with Twelve Tones |
No. 131, pp. 370–372 |
No. 128, pp. 435–438 |
|
The Making of Wozzeck |
No. 143, pp. 403–405 |
No. 140, pp. 477–478 |
|
Approaching the Limits of
Compression |
No. 144, pp. 405–406 |
No. 141, pp. 479–480 |
|
The Rite of Spring |
No. 132, pp. 372–376 |
No. 129, pp. 438–443 |
|
Anti-Romantic Polemics from
Stravinsky's Autobiography |
No. 138, pp. 390–394 |
No. 135, pp. 460–465 |
|
The New Folklorism |
No. 134, pp. 378–382 |
No. 131, pp. 445–450 |
|
From the Writings of
Charles Ives |
No. 127, pp. 360–362 |
No. 124, pp. 423–426 |
|
Music and the Social
Conscience |
No. 148, pp. 414–418 |
No. 145, pp. 490–495 |
|
Composers on Trial |
No. 150, pp. 421–429 |
No. 147, pp. 499–502 |
|
"New Musical
Resources" |
No. 146, pp. 408–412 |
No. 143, pp. 483–487 |
|
New Developments in
Serialism |
No. 153, pp. 440–452 |
No. 149, pp. 507–512 |
|
The Music of Chance |
No. 159, pp. 471–474 |
No. 153, pp. 522–525 |